END OF YEAR EDITION

April/May/June 2026

The Akhmedova Ballet Magazine is a product of the collaborative efforts of the students of the Akhmedova Ballet Academy. We wish to spread our ideas and knowledge, and connect with other dance communities.


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Night at the Ball - ABA Spring show

The Akhmedova Ballet Academy’s most recent spring show, “Voices of Spring”, showcased two originally choreographed productions as well as some featured group and solo pieces. The first piece was called A Magical Night at the Ball and was choreographed by Mme. Akhmedova, the Artistic Director. The second piece was choreographed by Jessica Novakovich and was called “The Twelve Rooms”. The Twelve Rooms was about a girl named Mila who goes through the rooms of her emotions and stages that she comes across in her life’s journey. She goes through the rooms of hope, doubt, joy, angst, resilience, peace, misery, passion, insanity, empathy, and change. From there, she takes all the lessons that she learns to go into the room of a new beginning and is surrounded by all her past emotions and learns to look towards whatever the future may bring.

My name is Eliana and I had the privilege of embodying the character of Mila in The Twelve Rooms. Throughout all the rehearsals in preparation for the show, I learned to explore her character and found ways to try to make her role alive to the audience. I truly enjoyed learning how to step into the character and being able to evoke her emotions as I danced through her story. Learning how to explore my emotions through Mila allowed me to be more in touch with myself and allowed me to get bolder when evoking emotions on stage.

Through these rehearsals, I was not only able to better my artistry, but I was also improving my ability to remember choreography. Before this show, I always had a lot of choreography to remember for competitions and other performances, but never to the scale that I had during this performance. I learned new things about myself, such as how I best pick up choreography and how I best remember corrections and changes in the dances. I learned that reviewing the dances in my head, as well as marking, or slightly doing the movements but not to the fullest extent, at least twice a day helped me to remember the choreography. Constant review helped my mind, my body, and my emotions to become muscle memory by the time it was performance day.

At the performance, I was excited to share all the work that we as a studio had put in to perform for the audience. Even though I was still a little nervous backstage, I remember telling myself that no matter what happens, I am doing this to make the audience “feel something”. Even though ballet takes a lot of skill and strength, it is much more because dancers get to share their hard work as a form of art to stir something in the audience and leave them with something that they did not have before watching the performance. I believe that dance is a form of art that should be shared, and it is a way of expression that shows the beauty and life of movement. Throughout the performance when I was on stage, I was able to truly feel the emotions instead of pasting them onto my face like a blank screen. Dancing on stage is sometimes nerve-racking, but as I perform more, I have learned to love performing. I have realized that performing is not about getting things perfect but more about sharing my love and passion for the art form. This performance experience felt almost out of body as it felt healing to become someone else on stage. It felt freeing to share my emotions for myself, the audience, my parents, and teachers who have worked so hard to help support and guide me through my journey dancing. ~ Eliana

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A Magical Night at the Ball

On June 13th at the Montgomery County Cultural Arts Center theater, the Akhmedova Ballet Academy opened its curtains, presenting to the world its annual spring performance of various original choreographies. The production’s first act welcomed its audience with the charming music of Johann Strauss II, transporting them away to the setting of a vivacious Viennese ball. This opening work of classical ballet, named A Magical Night at the Ball, was choreographed by Mme. Jacqueline Akhmedova and portrays the timelessly alluring ball culture of Vienna.

Balls have constituted a core element of Viennese culture and history for hundreds of years. In the 18th and 19th centuries, Vienna became a city of great artistic renown, especially in classical music and other adjacent art forms. Earning titles such as the “cultural heart of Europe” and the “city of music”, Vienna served as a home and workplace for several renowned classical composers, including Mozart, Beethoven, Strauss, and others in their lifetimes. In particular, Strauss Jr., the “waltz king”, composed an extensive number of waltzes that contributed greatly to the development of dance in Vienna; consequently, ball culture evolved in parallel, becoming an essential social tradition that showcased status, class, and etiquette.

Historically, balls were especially important for debutantes—young women of high class making their formal entrances into fashionable society. Balls not only served social and political purposes, but also acted as convocations for courtship, with offers and opportunities often initiated through invitations to dance. Young debutantes were thoroughly educated in etiquette, music literacy, and dance as part of their preparation for these balls, given that these occasions are considered such momentous milestones. As a result, Viennese balls are full of romance, grace, and youthfulness, carrying dreams and thrills that create a lingering fragrance of magic in the atmosphere.

Akhmedova’s A Magical Night at the Ball features various waltzes, variations, and other pieces, all danced by the ball’s “debutantes” and even featuring a representation of Strauss himself, who was complete with a violin, wig, and a quite skillfully drawn moustache! Between each of the pieces, the diversity in Strauss’s music provides the dancers with the freedom to express several distinct demeanors; as a performer and “debutante” myself, I thoroughly enjoyed seeking moments of nuance to allow different layers of personalities to shine. Fundamentally, structure must first be established—balls are distinguished events with specific organization and arrangements, demanding clean formations and togetherness while navigating difficult technique. Character-wise, at the core, it is important to capture the debutantes’ grace, class, and fluency in dancing. However, beyond that, displaying the joyous, exhilarating, youthful characteristics of the ball truly enlivens the choreography, especially for more animated variations such as my own. Lastly, revealing a more romantic, charming, and playful personality contributes artistic depth and sophistication. To conclude, rehearsing and performing this work was challenging technique-wise and control-wise, and refining the style and personality of the pieces required exploration and experimentation.

Overall, performing A Magical Night at the Ball was a wonderful experience through which I gained valuable experiences and memories. Notably, I recall that as I performed a rather fast turning sequence—one that I had struggled with for a long time—the audience began to clap along, and suddenly I felt as though I was executing the combination with vitality and ease. It was as if we had created magic between us, and in that moment, I realized that although we had no Viennese ballroom, no chandeliers, and no live orchestra, there was no doubt that we did have our own magical night—and that was what mattered most of all. ~ Elaine

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ARTS AND PERFORMANCES

A MAGICAL NIGHT AT THE BALL - THE 12 ROOMS

WITH ELIANA & ELAINE

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Mother’s Day Performance

This Mother’s Day, the Akhmedova Ballet Academy had the distinct honor of presenting a special performance at the Margaret Schweinhaut Senior Center, where our dancers shared their artistry with an appreciative and welcoming audience. As part of the program, we showcased selections from our spring production, Voices of Spring, featuring the enchanting A Magical Night at the Ball, choreographed by the esteemed and visionary Madame Akhmedova. Her choreography brought elegance, charm, and emotional depth to the stage, offering a glimpse into the creative excellence that defines our academy.

The performance also included a diverse repertoire of contemporary, character, and classical competition works. These pieces highlighted the versatility, discipline, and technical refinement of our dancers while providing valuable stage experience as we prepare for the upcoming UBC Finals in Houston, Texas. Opportunities like this allow our students to strengthen their performance presence, deepen their artistic expression, and engage meaningfully with the broader community.

To conclude the event, our dancers distributed flowers to all seniors in attendance, as well as to the dedicated and supportive ABA mothers who joined us for the celebration. This gesture added a warm and personal touch to the afternoon, creating a memorable and heartfelt experience for both the audience and our ABA families.

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IN THE COMMUNITY

WITH EMMA

PARENTS TESTIMONIALS

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Akhmedova Ballet Academy provides outstanding ballet training through its rigorous Vaganova-method instruction and small, elite class sizes. My daughter has been a student of ABA for almost 10 years, and we are fortunate to call ABA our family.

ABA students receive comprehensive dance education that extends beyond classical ballet technique to include contemporary and character dance, helping develop versatility, artistry, musicality, and stage presence. Training is further enhanced through strength and conditioning, Pilates, flexibility and stretch classes, as well as injury prevention practices that support the physical demands of dance. Students also learn healthy approaches to pain management, recovery, and body awareness, equipping them with the tools needed to train safely while pursuing excellence. Additionally, students learn about ballet history and cultural traditions of other countries.

Throughout the year, students gain valuable performance experience at events including Arts Parade, Thanksgiving Parade, Around the World Bazaar, MLK Day Performance at Strathmore Arts Center, and various performances at Montgomery County’s Senior Centers, as well as Montgomery College Cultural Arts Center. ABA dancers also participate in studio showcases such as Meet the Dancers, the Black Box Theater Performances, and the annual Spring Show. In addition, students have the opportunity to compete on national and international stages. ABA combines artistic excellence, comprehensive training, performance opportunities, and a warm family atmosphere that helps every dancer thrive.

Valeria Paskhal

Our daughter started at ABA at 8 years old (now 10). She absolutely loves it and looks forward to each class. She has made some great friends and looks up to the older, more experienced, girls. The instructors are excellent - they're warm and caring and make the girls feel welcomes. We're amazed by the public performances that the school puts on in December and June. Look forward to the years ahead!

Dimitriy Vilenskiy

Akhmedova Ballet Academy has been an extraordinary part of our daughter’s life for the past seven years since she joined ABA at the age of nine. The level of training is truly remarkable: every class is taught with precision, discipline, and attention to detail. Students are not only taught technique—they are challenged to think, interpret, and perform as artists. The teachers maintain high standards while providing individualized guidance that helps each dancer continue to improve and reach their full potential.

ABA also provides an impressive range of performance and competition opportunities. Students perform in beautifully produced Nutcracker and spring shows, participate in community outreach events, appear in local cultural celebrations, and compete at prestigious competitions at the regional, national, and international level.

One of the things we appreciate most about ABA is the dedication of its faculty. They invest tremendous time and energy in their students, offering encouragement, honest feedback, and mentorship both inside and outside the studio. Especially during competition season, the teachers work tirelessly—not only training each dancer, but also designing and preparing costumes, coordinating travel logistics, and spending countless hours backstage supporting every student. Mme. Akhmedova and all of the ABA teachers are true artists. Their passion for ballet and commitment to their students extend far beyond developing strong dancers; they help build confidence, resilience, professionalism, and a strong work ethic that students carry with them throughout their lives.

The atmosphere at ABA is supportive, respectful, and focused. Students learn the value of discipline, accountability, and perseverance while forming lasting friendships with peers who share their passion.

ABA is certainly not the easiest path, nor is it intended to be. It is a school for students who are serious about ballet training and willing to embrace the dedication and discipline that artistic excellence requires.

We are incredibly grateful for the training, mentorship, and opportunities our daughter has received at Akhmedova Ballet Academy. It has been a transformative journey, and we feel fortunate to be part of such a special community.

Daisy Xu Qiong

ABA was the light at the end of the tunnel for our family.  After years of bouncing around between both ineffective and border-line-abusive ballet studios, we were fortunate enough to discover ABA.  And we are so happy that we did.  In one short year, we have seen our daughter flourish and make leaps and bounds of progress.  She feels protected, encouraged, challenged, and driven.  The studio itself is a warm and welcoming place, under Madame's expert directorship and Jessica's approachable expertise and talent.  

Alexandra Weber

ABA is a truly rare find in our area and I am grateful we have found it! From the moment my daughter walked to the audition, through the summer intensive, and this entire past year -- she couldn't be happier and her growth as a dancer was remarkable.  The levels of professionalism and individual instruction at the studio are unmatched, and the instructors' support, care, and encouragement for students to reach their full potential shows in every class. For people who are looking for a studio that develops real technique, artistry, and discipline, while providing a supportive environment from day one -- I cannot recommend ABA enough!

L.L.

ABA AT UBC

RALEIGH REGIONALS / HOUSTON GRAND PRIX FINALS

WITH SOPHIA

The ABA dancers brought power, precision, and heart to UBC Regionals and Finals, delivering performances that showcased all the hard work behind the scenes. The outcome was incredible, but the shared experience was even better.

This season, I had the incredible opportunity to travel with ABA to compete in the Universal Ballet Competition, starting with semi-finals in Raleigh, North Carolina. It was a unique experience to be surrounded by such a competitive yet supportive environment where I grew both as an individual dancer through my solos and as part of a team through our group pieces. I placed in the top 15 in both the contemporary and classical divisions, which pushed me to refine my artistry as a performer. ABA received “Outstanding Studio” Award and all our 9 ensemble pieces won 1st and 2nd places awards. Madame Akhmedova and Ms. Jessica supported us backstage in the wings the whole way through, helping us grow as artists before we gave it all on stage. That momentum carried us into finals in Houston, Texas.

Finals in Houston was a totally different experience, especially during the UBC Gala, where we got to perform alongside professional dancers from various companies and watch hand-selected pieces from semi-finals around the country. Our solos and ensemble pieces continued to do well. Our character piece "Shumka" was graciously selected to perform at the Gala, which was such an incredible honor. Watching from the wings as the professional guest artists from renowned ballet companies showed off their passion, artistry, and technique was humbling and inspiring. It felt like being part of something bigger than myself. With all the training, rehearsals, and support from ABA, this whole journey taught me so much that I will continue to carry through more performances, competitions and amazing opportunities that ABA gives to students!

2026 UBC Grand Prix Awards

Solos

Senior Competitive Awards

Contemporary 15th Place- Sophia

Contemporary 16th Place- Elaine

Junior Competitive Awards

Classical 14th Place- Eliana

Contemporary 17th Place- Eliana

Ensembles

Senior Competitive duo/trio

4th Place-Echoes of Her

Senior Competitive Ensemble Division

1st Place-Voices of Resilience

Junior Competitive Ensemble Division

3rd Place- Shumka

5th Place- Jota Aragonese

Junior Intermediate Ensemble Division

1st Place- Austrian Polka

Junior Intermediate Ensemble Division

1st Place- Bella Cao

2026 UBC Raleigh Regional Awards

Outstanding School Award

Best Choreographer-Jessica Novakovich

Solos

Senior Competitive Awards

Classical 10th Place- Sophia

Classical 11th Place- Elaine

Contemporary 2nd- Sophia

Contemporary 7th Place- Elaine

Senior Intermediate Awards

Contemporary 3rd Place-Isabelle

Junior Competitive Awards

Classical 4th place- Eliana

Contemporary 6th Place- Eliana

Junior Intermediate Awards

Classical 2nd Place- Sophie

Classical 8th Place- Miya

Contemporary 10th Place- Miya

Ensembles

Senior Competitive duo/trio

1st Place- Echoes of Her

2nd Place- Enigma

Senior Competitive Ensemble

1st Place-Voices of Resilience

2nd Place- Ondine

Junior Competitive Ensemble

1st Place-Shumka

2nd Place- Jota Aragonese

Junior Intermediate duo/trio

1st Place- Austrian Polka

Junior Intermediate Ensemble

1st Place- Popoff

2nd Place- Bella Cao

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CONGRATULAIONS TO ISABELLE, ABA’S 2026 GRADUATE

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Standing here today feels a little surreal. When I think about how much I’ve grown not just as a dancer, but as a person I know it’s because of the people in this room. 

To my teachers: Madame, Ms. Marina and Ms. Jessi thank you for pushing me, believing in me, and never letting me settle for “good enough.” You’ve shaped the way I move, but also the way I carry myself in the world. 

To my friends: you all have been like family to me. We’ve shared early morning and late-night rehearsals full of joy and laughter. We've been resilient against resilience and traveled around the world with Elaine swimming across oceans from East Asia to West Europe along with moments onstage that I’ll never forget. To my parents, family, and everyone who supported me: thank you for supporting me, cheering for me, and always believing in my potential. And a special thank you to my auntie, whose belief in me has never wavered. Your faith in what I can accomplish in dance has carried me through more moments than you know, for always helping backstage with repairing costumes and making new ones, and I’m grateful for every bit of love and encouragement you’ve poured into me.

As I head off to college to pursue my BFA in Dance, I’ll carry everything this studio taught me into every class, every rehearsal, and every stage I step onto next and yes, I’m fully aware I’ve signed up for four more years of being sore on purpose.
Advice that I would like to give to all my friends and the upcoming graduates is to enjoy dancing because it doesn’t always last forever, always take the corrections and try your best but have fun while doing it because the more you enjoy it and pour everything that you have into it the more you will grow not just as a person but as an artist. I know showing emotion can be hard sometimes it can feel awkward or scary but the best you can do is to get over yourself and dive into it with 110% because the more you put yourself into the character no matter how big or small the role is the more the audience will be able to understand what you are trying to show.
Thank you everyone for being part of my journey.

Isabelle Cespedes – ABA Graduate 2026

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UBC 2026

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Ask the Artistic Director

WITH MME. AKHMEDOVA

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